Genres

When Riptide GP arrived on iOS in late 2011, it brought with it a flood of beautiful memories from the early days of 3D and polygons. It was like a mix of Jet Moto and Hydro Thunder, a balls-to-the-wall aquatic racer with impressive wave physics and a fantastic sense of speed. It wasn't perfect - a little too lean on content, missing any kind of online/Bluetooth-enabled multiplayer option - but it brought back a genre I'd thought long forgotten by game developers, if only for a moment.

Defense Grid has been around for a few years now, but many gamers have discovered it because it's one of the free games that came with a Gold subscription to Xbox Live. Those who missed their chance to grab it for free should still take look at this old gem because, much like its main character, it withstands the test of time rather well.

Shadowrun's last appearance in video game form wasn't that pretty, leaving fans disappointed that Microsoft decided to turn their cyberpunk, urban fantasy pulp RPG into a multiplayer shooter. Thankfully, the mastermind behind the franchise, Jordan Weisman, headed to Kickstarter in order to fund a project designed to take the series back to its roots: Shadowrun Returns.

Prehistorik, when it was originally released back in 1992, got decent enough reviews and something of a following. What's interesting is how quickly it aged, though. Reviews from 1994 spoke of it as if it was an old fashioned retro game, a game that had aged beyond playability.

Nicolas Eymerich, the main character of The Inquisitor, is not a nice man. While the likes of Guybrush Threepwood and Eric Idle's Rincewind kept us playing with their fish-out-of-water optimism, Nicolas has already seen it all. He probably yelled at it as well. He does a lot of that. He's a very angry man. And while I can't help but think that the developers hoped his anger and intelligence might inspire players to love the darkness in the same way as House, the character is underutilized and underdeveloped. And without a full-bodied lead, the entire ...

Epic, action-packed, exhilarating, cinematic, intense, exciting and other such grandiose words are often used to describe video games these days. Whatever happened to fun? It's the one word which more than likely got people into video games in the first place. Gaming is - at its core - supposed to be fun.

Bet you never thought a mobile game could have you grinning, cursing at your phone and trying to get inside the mind of a player on the other side of the world. Turtlestrike requires more thought and cunning than the average mobile title, but the excitement and satisfaction it brings towers above the average match-3 or endless-runner.

Releasing games in chunks similar to a TV show seems to be a growing trend among developers, thanks in part to the success of Telltale's The Walking Dead. German developer KING Art, notable for their award-winning title The Book of Unwritten Tales, has opted to go for the episodic route with their latest adventure game, The Raven: Legacy of a Master Thief. This first chapter sets the stage for their throwback detective tale, which contains some good ideas but might not be as gripping as it wants to be.

The Smurfs probably shouldn't be the stars of one of the most traditional movie tie-ins I've seen in recent years, but they are. A platform game, made up of features from other, more successful platform games, with famous characters smacked into the lead spot just because. It's a little slice of all of our childhoods - it stunk then, and it stinks now.

Eternal Descent: Heavy Metal Heroes is yet another in a long line of endless runner games that have come to iOS. It's s bit of a stale genre at this point, but everyone is trying to liven it up and find the magic formula to keep gamers coming back for one more go. Eternal Descent tries to hook people in with a screaming heavy metal soundtrack and a number of real metal musicians. Is that enough to hook people who feel the endless runner style is getting a little long in the tooth?