Adventure

The finale for Telltale’s noir-inspired game series The Wolf Among Us is a marked improvement over its predecessor, In Sheep’s Clothing. This 90-minute episode is viciously paced, offering well-written and thought provoking dialogue choices, with some of the best fight sequences in the series thus far. There’s also a welcome, but surprising sense of ambiguity in Cry Wolf that further cements The Wolf Among Us as one of Telltale’s more interesting and refreshing works.

It seems like every week there is a new game that comes out that is set within the context of a war. Valiant Hearts takes an original look at war, not through combat but through the eyes of the people affected by it. Throughout the four chapters of the game, the affects of war are shown through characters without a gun in their hands.

As a cephalopod protagonist, Octodad Dadliest Catch is nothing if not original. Your flailing tentacles create charm and humor in spades. There is truly no other game like it. If it wasn't for a few maddening levels, I would want another order of this tasty calamari.

The Wolf Among Us’ fourth and penultimate episode, In Sheep’s Clothing, still contains the same well written dialogue and peculiar characters, but fails to offer up anything substantial or new to the table. Following what is, in my opinion, the best episode in the series, A Crooked Mile, which left main character Bigby Wolf in a critical state, I had high hopes for this installment. This unique series is coming to an end soon, but In Sheep’s Clothing did not do anything to elicit that feeling

Max The Curse of Brotherhood was a big release on Xbox One when it first came out. It was given decent ad time to the point where even people with no interest in the console were seeing videos. Now available on PC, the need to have the latest Microsoft console is gone, but the quality of the game remains. This is a game that looks new-gen, with beautiful textures and bright colours you wouldn't get anywhere else.

When playing Child of Light, I felt a bit melancholic. Ubisoft Montreal’s own unique take on the RPG genre elicits a sense of somberness throughout its, roughly, 10-hour adventure. Though it doesn’t sport a complex or even original story, the way it is told is Child of Light’s best strength. By using the UbiArt engine that was created for Rayman Origins several years ago, Ubisoft Montreal is able to perfectly concoct a classic fairy tale experience.

What's with the current trend of releasing games and then bragging about how bad they are? As YouTube has become more popular, these "joke" titles have become the focus of thousands who want to be in on the humour. Some of them have had redeeming features, titles worth checking out on their own merits. Others are as bad as their developers claim. Into The Dark Ultimate Trash Edition trips, drunk teenager-like, into the latter category.

Daylight is a survival horror game that is procedurally generated, creating a new experience each time you play, however, while rooms and location of items change, the experience doesn’t feel entirely “new.” Daylight has some concepts that were promising but failed to deliver in terms of content and variety.

The Wolf Among Us’ third episode, A Crooked Mile, represents a turning point for Telltale’s unique, fairy-tale based game series. Following the slowly paced second episode, Smoke and Mirrors, which acted as a filler entry more than anything, A Crooked Mile is much more tumultuous. Telltale was able to ensconce the series with the first two episodes, and has afforded itself the ability to offer up more engaging and exciting material that pushes the series forward dramatically.

Danganronpa Trigger Happy Havoc is a zany experience filled with boundless creativity. Developed by Spike Chunsoft (the studio responsible for similar games in the Zero Escape series), and originally released for the PSP all the way back in 2010, Danganronpa has spawned an anime and manga over in Japan before its port to the Vita this year; and it’s easy to see why.